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Dearer Than Truth

Michelle Kingdom

April 4 – May 13, 2018

Michelle Kingdom, Though Poppies Grow, 2018

Michelle Kingdom

Though Poppies Grow, 2018

Embroidery

11h x 15w in

MKi013

Michelle Kingdom, As Plain as Day, 2017

Michelle Kingdom

As Plain as Day, 2017

Embroidery

16h x 20w in

MKi002

Michelle Kingdom, Now We Have Chosen, 2017

Michelle Kingdom

Now We Have Chosen, 2017

Embroidery

16h x 16w in

MKi003

Michelle Kingdom, Ours to Behold, 2017

Michelle Kingdom

Ours to Behold, 2017

Embroidery

28h x 14w in

MKi004

Michelle Kingdom, The Granting of Wishes, 2017

Michelle Kingdom

The Granting of Wishes, 2017

Embroidery

14h x 14w in

MKi005

Michelle Kingdom, The Stars were Long Gone, 2017

Michelle Kingdom

The Stars were Long Gone, 2017

Embroidery

11h x 15w in

MKi006

Michelle Kingdom, Leaving no Relics, 2017

Michelle Kingdom

Leaving no Relics, 2017

Embroidery

10h x 12w in

MKi007

Michelle Kingdom, We Grow Rings, 2017

Michelle Kingdom

We Grow Rings, 2017

Embroidery

13h x 13w in

MKi008

Michelle Kingdom, Still as a Statue, 2017

Michelle Kingdom

Still as a Statue, 2017

Embroidery

14h x 12w in

MKi009

Michelle Kingdom, Precisely Red, 2017

Michelle Kingdom

Precisely Red, 2017

Embroidery

12h x 12w in

MKi010

Michelle Kingdom, Light As Dust, 2018

Michelle Kingdom

Light As Dust, 2018

Embroidery

15h x 12w in

MKi011

Michelle Kingdom, Without Question, 2017

Michelle Kingdom

Without Question, 2017

Embroidery

12h x 16w in

MKi012

Foley Gallery is pleased to present Dearer than Truth, a solo exhibition featuring new embroidery works by Michelle Kingdom.
 

The intricate scenes threaded by Kingdom invite the viewer into a tiny world filled with symbolism. Each scene draws inspiration from literary snippets, memories, personal mythologies, and historical references.
 

Decidedly small in scale, the scenes are densely embroidered into compressed compositions. While the work acknowledges the luster and lineage inherent in needlework, Kingdom uses thread as a sketching tool in order to simultaneously honor and undermine this tradition.
 

The narratives are loose, hinting at relationships among women, alone or gathering together in a natural outdoor setting.
 

While the work is not political in nature, the latest pieces reflect the current state and cultural climate of America’s identity. 
 

Beauty parallels melancholy, as conventional stitches acquiesce to the fragile and expressive. The landscapes lay bare dynamics of aspiration and limitation, expectation and loss, belonging and alienation, truth and illusion.

Download Exhibition Checklist
 

Michelle Kingdom lives and works in Los Angeles, California. She has lectured at The Fresno Museum of Art and the Surface Art Association in Los Angeles. She received her Bachelors in Fine Art from The University of California.
 

Dearer than Truth is on view through May 13th, 2018. Foley Gallery is open Wednesday through Saturday, 11 – 5:30pm and Sunday from 12-5pm. To request images; please contact the gallery at info@foleygallery.com.