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ExLAB Part II

Amanda Bernsohn, Anna Paola Pizzocaro, Liz Steketee, Matthew Finley, Becca Screnock, Rick Wright, Teresa Camozzi, and Yvette Marie Dostatni

July 6 – 29, 2023

Yvette Marie Dostatni, You've Got a Friend in Me; Groomer to Groomer Show, Creative Styling Category, 2017

Yvette Marie Dostatni

You've Got a Friend in Me; Groomer to Groomer Show, Creative Styling Category, 2017

6x7 Color Negative Print

15h x 19w in

YD00001

Yvette Marie Dostatni, Docent, Owner, Personal Collecter of 15,00O Angels; Joyce Berg, Angel Museum, 2018

Yvette Marie Dostatni

Docent, Owner, Personal Collecter of 15,00O Angels; Joyce Berg, Angel Museum, 2018

6x7 Color Negative Print

15h x 19w in

YD00002

Yvette Marie Dostatni, Professional Socialites, Jon and Andrew Landon, 2019

Yvette Marie Dostatni

Professional Socialites, Jon and Andrew Landon, 2019

6x7 Color Negative Print

15h x 19w in

YD00003

Yvette Marie Dostatni, A Wake at the Funeral Home With Bob Rodger's Trump Pinata, 2020

Yvette Marie Dostatni

A Wake at the Funeral Home With Bob Rodger's Trump Pinata, 2020

6x7 Color Negative Print

15h x 19w in

YD00004

Yvette Marie Dostatni, Waiting for the Doorbell to Ring on Halloween; Michael Foley and Coleen Pertle, 2018

Yvette Marie Dostatni

Waiting for the Doorbell to Ring on Halloween; Michael Foley and Coleen Pertle, 2018

6x7 Color Negative Print

15h x 19w in

YD00005

Yvette Marie Dostatni, Puppeteer Samuel J. Lewis II, 41 Miles from Kenosha on the Eve of Civil Unrest, 2020

Yvette Marie Dostatni

Puppeteer Samuel J. Lewis II, 41 Miles from Kenosha on the Eve of Civil Unrest, 2020

6x7 Color Negative Print

15h x 19w in

YD00006

Yvette Marie Dostatni, King's Chair; New Style Comfort Furniture Store Window, King Jeremie and Haija Sidd, 2020

Yvette Marie Dostatni

King's Chair; New Style Comfort Furniture Store Window, King Jeremie and Haija Sidd, 2020

6x7 Color Negative Print

15h x 19w in

YD00007

Yvette Marie Dostatni, This Time; Gun Reenactment, Jeanette Dostatni, and Joe Gabor, 2022

Yvette Marie Dostatni

This Time; Gun Reenactment, Jeanette Dostatni, and Joe Gabor, 2022

6x7 Color Negative Print

15h x 19w in

YD00008

Yvette Marie Dostatni, Aphorodite's Christmas Tree; Willie Johnson, Building Manager, 2023

Yvette Marie Dostatni

Aphorodite's Christmas Tree; Willie Johnson, Building Manager, 2023

6x7 Color Negative Print

15h x 19w in

YD00009

Rick Wright, Admiral Scott, 2023

Rick Wright

Admiral Scott, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

11h x 11w in

RW00001

Rick Wright, Broken Rails, 2023

Rick Wright

Broken Rails, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

15h x 20w in

RW00002

Rick Wright, Colonnade, 2023

Rick Wright

Colonnade, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

20h x 15w in

RW00003

Rick Wright, Ground Zero Bench, 2023

Rick Wright

Ground Zero Bench, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

17h x 11w in

RW00004

Rick Wright, Moon Base Phila, 2023

Rick Wright

Moon Base Phila, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

20h x 15w in

RW00005

Rick Wright, No Underground, 2023

Rick Wright

No Underground, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

11h x 11w in

RW00006

Rick Wright, Paper People, 2023

Rick Wright

Paper People, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

9h x 12w in

RW00007

Rick Wright, The Gingerbread Man, 2023

Rick Wright

The Gingerbread Man, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

9h x 12w in

RW00008

Rick Wright, Washington Skirmish, 2023

Rick Wright

Washington Skirmish, 2023

Tri-Tone Pigment Inkjet Prints on Archival Matte Paper

22h x 28w in

RW00009

Anna Paola Pizzocaro, Communal Expansion, 2023

Anna Paola Pizzocaro

Communal Expansion, 2023

Digital Photography on C Print Glossy Paper

24h x 30w in

Edition of 10

AP00003

Anna Paola Pizzocaro, Eating Cake, Flattening the Curve, 2023

Anna Paola Pizzocaro

Eating Cake, Flattening the Curve, 2023

Digital Photography on C Print Glossy Paper

24h x 30w in

Edition of 10

AP00002

Anna Paola Pizzocaro, 6 Feet Away, 2023

Anna Paola Pizzocaro

6 Feet Away, 2023

Digital Photography on C Print Glossy Paper

30h x 40w in

Edition of 10

AP00001

Liz Steketee, THE MOTHER, 2023

Liz Steketee

THE MOTHER, 2023

collaged archival digital prints fabric, thread, dye,

24h x 24w in

LS00001

Liz Steketee, THE FATHER, 2023

Liz Steketee

THE FATHER, 2023

collaged archival digital prints fabric, thread, dye

24h x 16w in

LS00002

Liz Steketee, THE DAUGHTER, 2023

Liz Steketee

THE DAUGHTER, 2023

collaged archival digital prints fabric, thread, dye

24h x 24w in

LS00003

Matthew Finley, A knocking at the window., 2023

Matthew Finley

A knocking at the window., 2023

Exhibition Fiber Paper

8.50h x 6.50w in

Edition of 5 +1 AP

MF00001

Matthew Finley, Empty hands., 2023

Matthew Finley

Empty hands., 2023

Exhibition Fiber Paper

8.50h x 10.50w in

Edition of 5 +1 AP

MF00002

Matthew Finley, Wonderland., 2023

Matthew Finley

Wonderland., 2023

Exhibition Fiber Paper

13h x 15w in

Edition of 5 +1 AP

MF00003

Matthew Finley, Night Garden., 2023

Matthew Finley

Night Garden., 2023

Exhibition Fiber Paper

8.50h x 10.50w in

Edition of 5 +1 AP

MF00004

Matthew Finley, Weeding., 2023

Matthew Finley

Weeding., 2023

Exhibition Fiber Paper

6.50h x 8.50w in

Edition of 5 +1 AP

MF00005

Matthew Finley, Entwined., 2023

Matthew Finley

Entwined., 2023

Exhibition Fiber Paper

8.50h x 10.50w in

Edition of 5 +1 AP

MF00006

Matthew Finley, Bent., 2023

Matthew Finley

Bent., 2023

Exhibition Fiber Paper

10.50h x 8.50w in

Edition of 5 +1 AP

MF00007

Matthew Finley, Abscission., 2023

Matthew Finley

Abscission., 2023

Exhibition Fiber Paper

8.50h x 10.50w in

Edition of 5 +1 AP

MF00008

Matthew Finley, Meditation on beauty., 2023

Matthew Finley

Meditation on beauty., 2023

Exhibition Fiber Paper

13h x 15w in

Edition of 5 +1 AP

MF00009

Matthew Finley, A safe place., 2023

Matthew Finley

A safe place., 2023

Exhibition Fiber Paper

8.50h x 10.50w in

Edition of 5 +1 AP

MF00010

Matthew Finley, Rest your head., 2023

Matthew Finley

Rest your head., 2023

Exhibition Fiber Paper

10.50h x 8.50w in

Edition of 5 +1 AP

MF00011

Matthew Finley, Right Angle., 2023

Matthew Finley

Right Angle., 2023

Exhibition Fiber Paper

8.50h x 6.50w in

Edition of 5 +1 AP

MF00012

Matthew Finley, Blinded., 2023

Matthew Finley

Blinded., 2023

Exhibition Fiber Paper

10.50h x 8.50w in

Edition of 5 +1 AP

MF00013

Matthew Finley, Protected., 2023

Matthew Finley

Protected., 2023

Exhibition Fiber Paper

10.50h x 8.50w in

Edition of 5 +1 AP

MF00014

Matthew Finley, Weeping., 2023

Matthew Finley

Weeping., 2023

Exhibition Fiber Paper

8.50h x 10.50w in

Edition of 5 +1 AP

MF00015

Matthew Finley, Dead end., 2023

Matthew Finley

Dead end., 2023

Exhibition Fiber Paper

10.50h x 8.50w in

Edition of 5 +1 AP

MF00016

Matthew Finley, My sanctum., 2023

Matthew Finley

My sanctum., 2023

Exhibition Fiber Paper

10.50h x 8.50w in

Edition of 5 +1 AP

MF00017

Matthew Finley, Put asunder., 2023

Matthew Finley

Put asunder., 2023

Exhibition Fiber Paper

15h x 13w in

Edition of 5 +1 AP

MF00018

Matthew Finley, On the mend., 2023

Matthew Finley

On the mend., 2023

Exhibition Fiber Paper

8.50h x 10.50w in

Edition of 5 +1 AP

MF00019

Teresa Camozzi, Surgery, 2023

Teresa Camozzi

Surgery, 2023

32h x 56w in

TC00001

Teresa Camozzi, Visitation, 2023

Teresa Camozzi

Visitation, 2023

14h x 19w in

TC00002

Teresa Camozzi, Tres Morti, 2023

Teresa Camozzi

Tres Morti, 2023

16h x 18w in

TC00003

Teresa Camozzi, Anesthesia, 2023

Teresa Camozzi

Anesthesia, 2023

33h x 33w in

TC00004

Teresa Camozzi, Exit, 2023

Teresa Camozzi

Exit, 2023

33h x 33w in

TC00005

Teresa Camozzi, Maria, 2023

Teresa Camozzi

Maria, 2023

18h x 12w in

TC00006

Teresa Camozzi, Blind, 2023

Teresa Camozzi

Blind, 2023

9h x 12w in

TC00007

Amanda BernSohn, Untitled, 2022

Amanda BernSohn

Untitled, 2022

Inkjet Print on Canon Pro Luster Paper

12.50h x 8.50w in

10 + 2AP

AB00001

Amanda BernSohn, Untitled, 2023

Amanda BernSohn

Untitled, 2023

Inkjet Print on Canon Pro Luster Paper

12.50h x 8.50w in

10 + 2AP

AB00002

Amanda BernSohn, Untitled, 2022

Amanda BernSohn

Untitled, 2022

Inkjet Print on Canon Pro Luster Paper

7.50h x 12.50w in

10 + 2AP

AB00003

Amanda BernSohn, Sunset going over (video still), 2023

Amanda BernSohn

Sunset going over (video still), 2023

Inkjet Print on Canon Pro Luster Paper

9h x 5w in

10 + 2AP

AB00004

Amanda BernSohn, My neighbors' kitchens, 2023

Amanda BernSohn

My neighbors' kitchens, 2023

Inkjet Print on Canon Pro Luster Paper

12.50h x 7.50w in

10 + 2AP

AB00005

Amanda BernSohn, Lu, 2023

Amanda BernSohn

Lu, 2023

Inkjet Print on Canon Pro Luster Paper

9.30h x 7w in

10 + 2AP

AB00006

Amanda BernSohn, Lu, morning shadow, 2023

Amanda BernSohn

Lu, morning shadow, 2023

Inkjet Print on Canon Pro Luster Paper

9h x 6w in

10 + 2AP

AB00007

Amanda BernSohn, Flight paths, E. Flatbush, 2023

Amanda BernSohn

Flight paths, E. Flatbush, 2023

Inkjet Print on Canon Pro Luster Paper

10h x 7w in

10 + 2AP

AB00008

Amanda BernSohn, Clouds, Light, 2020

Amanda BernSohn

Clouds, Light, 2020

Inkjet Print on Canon Pro Luster Paper

7.50h x 13w in

10 + 2AP

AB00009

Becca Screnock, Forest Service Road 024, 2023

Becca Screnock

Forest Service Road 024, 2023

Dye Sublimation Photographic Print on Aluminum

12h x 18w in

BS00001

Becca Screnock, Traveler, 2023

Becca Screnock

Traveler, 2023

Dye Sublimation Photographic Print on Aluminum

20h x 30w in

BS00002

Becca Screnock, Home Style, 2023

Becca Screnock

Home Style, 2023

Dye Sublimation Photographic Print on Aluminum

20h x 24w in

BS00003

On July 6th, Foley Gallery continues the 2023 edition of “the Exhibition Lab Exhibition,” a group show featuring work by Amanda BernSohn, Anna Paola Pizzocaro, Liz Steketee, Matthew Finley, Becca Screnock, Rick Wright, Teresa Camozzi, and Yvette Marie Dostatni. The exhibition will feature photographers exploring various genres, from documentary, autobiographical, and surreal to new media forms, including mixed media.

 

New York based photographer Amanda BernSohn’s works with available light and the people around her to explore concepts such as intimacy and interdependence, and how they change over time. Her series Cirrostratus is named after the very high, very thin sheets of clouds formed by ice crystals that, in certain instances, produce halos of light that can be the only indication of their presence. The photographs in Cirrostratus capture the fleeting and ephemeral fragments of everyday life, and point to the inherent interconnectedness of ordinary moments.

 

Inspired by classical composition and Dutch-styled still lifes, Anna Paola Pizzocaro’s exhibiting photographs are her personal testimony of the past three years. Reflecting on the COVID-19 pandemic and subsequently on the ways our lives were changed individually and collectively, her work expresses our pain, loneliness, and disorientation of recent years, but also the reconciliation, beauty, and hope that have remained within us.    

 

Using mixed media, photographic montage, textiles, and the sculptural elements of photographs, Liz Steketee examines family, identity, and memory, and how they weave and bend within our collective humanity. Her process includes ripping and cutting fragments of her work, which encourages contemplation, and reconstructing the pieces back together in unexpected ways, which acts to mend that which is broken.

 

Matthew Finley’s series WHISPERING EDEN is a meditation on nature’s subtle tenacity in times of personal uncertainty. Turning his camera on a relative’s home and garden, and nature’s decorative icons on objects around him, his captivating, almost transcendent photographs explore humans’ deep connection to nature and the potential for reflection, recognition, and growth. Also found within his general practice, these exhibiting images expose his closely held emotions which would otherwise go unexpressed.

Becca Screnock’s photographic practice focuses on overlooked moments, intimacy, and relationships between people and spaces; her new series The Loneliest Road is no exception. On long drives down U.S. Route 50, Screnock searched for unexpected surprises within the forgotten and disappearing places she stumbled upon. Throughout her journey and its many detours, she collected images that function as an ambiguous travelogue, allowing viewers to construct their own narratives.

 

Using a combination of digital capture, scanned film, and A.I. image-to-image or text-to-image conversions, Rick Wright’s photographs explore the integration of A.I. imagery into photography as we know it. Beginning by staging an iPad in the frame to separate the digital world from the real world, Wright incorporated A.I. to open up doorways into fictitious worlds. Whimsical yet terrifying, Wright’s photographs examine the potentially darker consequences of technology.

 

Overlaying images of walls and hallways, doctors and hospital rooms, and opened and closed eyes, Teresa Camozzi’s fragmented collages examine the importance of human sight and the artist’s deep fear of losing it. Camozzi’s series Blind was inspired by her doctor finding both of her eyes’ viscera had multiple tears and were about to detach from the retina, causing blindness. After an emergency operation, her eyes and her sight were saved. The photographs in Blind serve to salute the courageous individuals who have lived throughout time without sight.

 

In her series My American Dream, Yvette Marie Dostatni examines the complex and fluid landscape of identity in The United States. Her photographs explore quintessential American principles such as freedom and patriotism, and highlight the contradictions that arise when these principles are viewed through a larger, more inclusive lens. Her photographs depict a vast array of diverse communities throughout America, that are at once connected through and divided by state lines, cultural disparities, and language barriers—boundaries that can, and often do, define and decide our lives in this country.

 

The Exhibition Lab Exhibition|Part 2 will remain on view through July 29th, 2023. Foley Gallery is open Wednesday through Saturday, 12 pm – 5:30 pm. To request images, please get in touch with the gallery at hello@foleygallery.com