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Extreme Learning Machine

Joseph Desler Costa

October 21 – November 28, 2015

Joseph Desler Costa

Joseph Desler Costa

White Gloves, 2014

Dye Sublimation on Aluminum

16h x 24w in

Edition of 5

JDC004

Joseph Desler Costa

Joseph Desler Costa

Cactus, 2014

Pigment Print

24h x 16w in

Edition of 5

JDC005

Joseph Desler Costa

Joseph Desler Costa

Layered Guitars, 2015

Dye Sublimation on Aluminum

40h x 30w in

Edition 1 of 3

JDC006

Joseph Desler Costa

Joseph Desler Costa

Multiple Rolls, 2015

Pigment Print

40h x 30w in

JDC007

Joseph Desler Costa

Joseph Desler Costa

Bust, 2015

Dye Sublimation on Aluminum

32h x 24w in

Edition of 3

JDC009

Joseph Desler Costa

Joseph Desler Costa

Nine Laptops, 2014

Dye Sublimation on Aluminum

48h x 36w in

Edition of 5

JDC010

Joseph Desler Costa

Joseph Desler Costa

Tallboy, 2015

Dye Sublimation on Aluminum

24h x 18w in

Edition of 5

JDC012

Joseph Desler Costa

Joseph Desler Costa

Urethane and Gaff Tape Construction, 2015

Duratrans and LED Lightbox

60h x 45w in

Edition of 3

JDC015

Joseph Desler Costa

Joseph Desler Costa

Sunkist Eclipse, 2015

Duratrans and LCD Lightbox

50h x 50w in

Edition of 3

JDC016

Joseph Desler Costa

Joseph Desler Costa

Banana, 2014

Pigment Print

19h x 13w in

Edition 1 of 5

JDC017

Joseph Desler Costa

Joseph Desler Costa

Free Wheels, 2015

Pigment Print

33h x 22w in

Edition of 5

JDC018

Joseph Desler Costa

Joseph Desler Costa

Logo Study Finance, 2015

Pigment Print

24h x 18w in

Edition of 5

JDC019

Joseph Desler Costa

Joseph Desler Costa

Logo Study Medical, 2015

Pigment Print

24h x 18w in

Edition of 5

JDC020

Joseph Desler Costa

Joseph Desler Costa

Seven Horns, 2015

Pigment Print

40h x 30w in

Edition of 5

JDC021

Joseph Desler Costa

Joseph Desler Costa

Shirt Stack, 2015

Pigment Print

27h x 18w in

JDC022

Joseph Desler Costa

Joseph Desler Costa

Chemical Car Orange, 2014

Dye Sublimation on Aluminum

24h x 36w in

Edition of 5

JDC023

Joseph Desler Costa

Joseph Desler Costa

Chemical Car Red, 2014

Dye Sublimation on Aluminum

24h x 36w in

Edition of 5

JDC024

Joseph Desler Costa

Joseph Desler Costa

Forty Five Forty Fives, 2015

Dye Sublimation on Aluminum

48h x 36w in

Edition of 3

JDC026

Joseph Desler Costa

Joseph Desler Costa

Latex Glove, 2015

Dye Sublimation on Aluminum

24h x 18w in

Edition of 5

JDC028

Joseph Desler Costa

Joseph Desler Costa

Rips I, 2015

Dye Sublimation on Aluminum

36h x 27w in

Edition of 5

JDC030

Joseph Desler Costa

Joseph Desler Costa

Rips II, 2015

Dye Sublimation on Aluminum

36h x 27w in

Edition of 5

JDC031

Foley Gallery is very pleased to present Joseph Desler Costa’s first solo exhibition Extreme Learning Machine, a series of photographs and videos.

The title of the show, Extreme Learning Machine, draws inspiration from learning devices designed to replicate artificial learning techniques and biological learning mechanisms. Based on algorithms of human nervous systems, ELM has infinite learning capacity and captures the intuitive efficiency of brain learning.

Costa’s photographs physically mimic this digital and retouched reality by using in-camera techniques, cut paper, and studio constructions rather than the modern tools of Photoshop. The analog reconstruction as a proxy to the real world reflects a condition in which identity, space, and desire are fluid from one moment to the next. Compositions recreate a reality where the digitally constructed and altered image imposes itself on our notions of space, place, intimacy, and self. Costa uses masculine signifiers and standardized articles such as motorcycle helmets, cars, and soccer gloves and re-contextualizes them so that they shift seamlessly between a physical reality and fabricated illusions. Objects, symbols and logos of mass production and consumption become vehicles for transcendence, as they are rendered and abstracted to be simultaneously melancholic and sublime.

Costa’s practice is very much a processed-based labor. Works absorb, mimic and inevitably humanize the visual language made possible by machine and imaging software. Compositions attempt to recreate the texture of a reality that has widened and opened via our ever-present screens and devices. Temporal experience now unfolds in a state of constant flux, shifting between a physical reality, and the seduction and distraction of the more desirable illusions and versions constantly presented, fabricated and delivered through our screens.