Skip to content

Martin Klimas

Martin Klimas, Untitled, 2013

Martin Klimas

Untitled, 2013

Pigment Print

59h x 43w in

Edition of 5

MK097

Martin Klimas, Untitled, 2013

Martin Klimas

Untitled, 2013

Pigment Print

29h x 36.50w in

Edition of 5

MK098

Martin Klimas, Untitled, 2003

Martin Klimas

Untitled, 2003

Pigment Print

44h x 55w in

Edition of 5

MK095

Martin Klimas, Untitled, 2006

Martin Klimas

Untitled, 2006

Pigment Print

48h x 44w in

Edition of 5

MK096

Martin Klimas, Untitled (Good Luck Boy), 2006

Martin Klimas

Untitled (Good Luck Boy), 2006

Pigment Print

43h x 51w in

Edition of 5

MK012

Martin Klimas, Untitled (Pink and Green), 2006, 2006

Martin Klimas

Untitled (Pink and Green), 2006, 2006

Pigment Print

59h x 43w in

Edition of 5

MK013

Martin Klimas, Untitled (Good Luck Girl), 2006

Martin Klimas

Untitled (Good Luck Girl), 2006

Pigment Print

43h x 51w in

Edition of 5

MK014

Martin Klimas, Untitled (Blue Man), 2005

Martin Klimas

Untitled (Blue Man), 2005

Pigment Print

43h x 51w in

Edition of 5

MK015

Martin Klimas, Untitled (Dandy), 2006

Martin Klimas

Untitled (Dandy), 2006

Pigment Print

24.50h x 24.50w in

Edition of 6

MK016

Martin Klimas, Untitled (Ballerina), 2006

Martin Klimas

Untitled (Ballerina), 2006

Pigment Print

24.50h x 24.50w in

Edition of 5

MK017

Martin Klimas, Untitled (Two Ladies), 2008

Martin Klimas

Untitled (Two Ladies), 2008

Pigment Print

59h x 79w in

Edition of 5

MK019

Martin Klimas, Kung Fu, 2003

Martin Klimas

Kung Fu, 2003

Pigment Print

36.50h x 29w in

Edition of 5

MK020

Martin Klimas, Untitled (Fighters), 2008

Martin Klimas

Untitled (Fighters), 2008

Pigment Print

67h x 79w in

Edition 2 of 5

MK030

Martin Klimas - Talent - Foley Gallery

Martin Klimas is the colorful and creative hybrid of photographers Eadweard Muybridge and Dr. Harold Edgerton. Through his own experimentation with motion and the cause and effect in gravity, Klimas’ photographs explore relationships with time, beauty and destruction. In his work with Porcelain, Klimas uses a strobe light and a single camera frame; one chance of the figurine dropping and shattering. In his series Flowers, a spring-fired projectile bursts the base of the vase into a bedlam of fragmented pieces. In each photograph, Klimas shows the transformation of solid object into one that is in between, a temporary sculpture that comes together for a moment, creating a comforting notion that something beautiful can be created out of chaos.